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‘Balloons’ documents the camera’s performance from 5am in the morning into the height of the midday sun. ‘Balloons’ is Andreas’ extreme lighting test as he constantly shoots directly into the sun, wide open. And that’s the truly great thing about have such a vibrant and high precision image!”Īndreas Neumann talks about using the new Blackmagic Pocket Cinema Camera 4K for the first time. With this camera you just have so much extra choice, because you can take the image where ever you want. If you want to take it warmer, darker or cooler, you now have so much latitude in terms of dynamic range and depth of color. “The Blackmagic Pocket Cinema Camera 4K gives you a ton of options. You’re not fighting the codec or the dynamic range of the camera.” This extra range lets you manage and massage the image to get you into a really nice place. Having that higher dynamic range and a high bit depth file, means you have a lot of wriggle-room to correct anything that needs to be balanced. “What I wanted to achieve was to test the dynamic range, but to still come up with some really great looking images. ‘Models Walking at Night’ is his second camera test where he was checking out the camera’s higher dynamic range and color accuracy. John Brawley shares his experiences with the Blackmagic Pocket Cinema Camera 4K. I found it a great 4K sensor and really good compromise for a small camera that still gets really, really good looking pictures.”
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“I don’t think people realize how easy it is to make things look cinematic with micro four thirds! I know that there are a lot of people who like that 35mm full frame look, but it’s still very easy to get images with an out of focus background with the micro four thirds sensor. It is great to see all of that detail I was seeing was actually captured in those shots.” When I look at those shots now, I am really impressed at how good the dynamic range is. I understand this gives more in dynamic range, so you have a little bit more highlight-headroom there.
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We were shooting these scenes later in the afternoon, so I was at ISO1000 or 1250, so it was at the lower ISO for this camera.
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“The whole point to this daylight test was to see how the camera handled skin tones. ‘Models Walking in Daylight’ is his first camera test where he checked out the camera’s ability to handle different skin tones. John Brawley talks about the Blackmagic Pocket Cinema Camera 4K for the first time. Given that for most macro filming you will be using lights, the 25,600 ISO with this camera is all you’ll ever need.” I think Blackmagic have their ISO at a sensible level. There are other cameras with insane ISO levels, but they become incredibly grainy which means a lot of work in post.
I tended to stay around ISO 2500 but you can go as high as 25,600. The other great thing about this camera is the really high native ISO. Which is very good when you are using hard lights, because you have detail well into the shadows under leaves and things. “I have to say the 13 stops of latitude was also really great, because you can see into all of the dark spots. So the smaller micro four thirds sized 4K sensor used by Blackmagic Design, is much better for this kind of shooting.” Larger 4K sensors tend to play havoc with your depth of field with this sort of work. The great thing about the probe is it will cover all of the 4K sensor. “This was the first time I had shot with the Laowa probe or the Blackmagic Pocket Cinema Camera 4K. ‘Bugs is a unique project where Peter could try out the Blackmagic Pocket Cinema Camera 4K in the world of macro filmmaking. Peter Nearhos talks about using the new Blackmagic Pocket Cinema Camera 4K and the Laowa probe lens for the first time. You expect all of this from big cameras, but not something this small with that little of a price!” Also the ability to shoot a Log image and drop a LUT straight onto it in the camera, was super handy. Having all of this in a package that small, was truly amazing. It was incredible to see all of these proper filmmaking features like false color, that I rely on with the bigger cameras also included. But because of the price, it all seemed a little too good to be true. I had checked out the specs of the camera and thought it was pretty amazing to get all of that into something that small. “I went into this camera test with an open mind.
I wanted it to look like I was running along with the rider with as much variety as possible.” The direction I went with was to break up the slow motion tests with as much life as I could to juxtapose into the flow. “I really wanted to mix my shots up as much as possible, because it can look pretty boring when you shoot mountain bikes all in slow mo. ‘Mountain Bike’ is Joey’s test of the camera’s high speed performance. Joey Knox talks about using the Blackmagic Pocket Cinema Camera 4K.
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